There are few entertainments at the Met more delightful than Mark Morris’s production of Gluck’s “Orfeo ed Euridice,” which adds a helpful note of charm to one of the most serious operas ever written.

There was a distinct reason for taking notice of this first night in the Grand Theatre, Leeds, rather than the first performance in Huddersfield Town Hall the previous week (which was, I think, ...

A black curtain remains lowered throughout the overture to Gluck’s Orfeo & Euridice in the Canadian Opera Company’s 2025-26 revival production directed by Cristophe Gayral (original director Robert ...